(from Gwendoline Courtney’s letter of acceptance from Thomas Nelson, reproduced in Torley Grange, (GGBP, 2008)).
In the whole Girls’ Own pantheon, there is no writer better for a comfort read than Gwendoline Courtney. Her stories are warm, jolly and funny, and it’s difficult not to finish one with a happy sigh and a hot-chocolatey feeling. I feel I should mention here that of her thirteen books, I’ve read only four: Torley Grange, Sally’s Family, A Coronet for Cathie and At School With the Stanhopes. Enough to judge on, though, since I’ve enjoyed every one of them and have just ordered Mermaid House from Girls Gone By Publishers (why hasn’t it come yet? :().
Torley Grange, Gwendoline Courtney’s first published book, was accepted by Thomas Nelson three years before its publication, owing to the fact that they already had so many books for the age group in preparation. Since today it can take up to two years for a book to be published after it’s accepted, I wonder if perhaps the process was quicker in 1932. In any case, they obviously felt that she was an author worth investing in. Her next book, The Grenville Garrison, wasn’t published until 1940, but she seems to have published every year or two after that, only ceasing in 1956 with The Wild Lorings, Detectives, when, according to Marian Pope’s introduction to GGBP’s edition of Torley Grange, ‘girls and boys started to call themselves “teenagers”’.
In The Encyclopaedia of Girls’ School Stories Sue Sims and Hilary Clare suggest that ‘She is at her best when depicting girls having to pick their way through a hostile or difficult situation’, and I’d have to agree with this. While Sally’s Family, A Coronet for Cathie and At School With the Stanhopes all have heroines with real difficulties and trials, I couldn’t help feeling that Torley Grange suffered from a heroine without enough troubles. It’s true that Molly has an old and debilitating injury to her foot to contend with, but otherwise her life is pretty much a bed of roses for two hundred pages, and it just isn’t as interesting.
In contrast, Rosalind, Sally and Cathie, the three remaining heroines, have many problems which keep their stories fresh and appealing. Rosalind has to learn to live with her much older brother, almost a stranger to her, and subsequently to run his household as well. Sally has an even greater task ahead of her when she decides to reunite her family, scattered during the War, and not only has to deal with their unexpected quirks and differences, but to turn a big, run-down house into a comfortable family home. Cathie Sidney, recovering from a severe illness, finds herself all unexpectedly the new Duchess of Montford and having to fight snobbery and unpleasantness as well as learning to manage her vast estates. Of course, they tackle these difficulties with courage, determination and complete believability.
It’s hard to define exactly what it is that makes a book a true comfort read, but every one of Gwendoline Courtney’s books manages it for me, even Torley Grange. Of course, there’s the element of triumph over adversity, but that happens in the majority of published novels. Maybe it’s because this theme is the main one. The books don’t depend on solving a mystery, defeating an enemy, high adventure or strange occurrences, but on a character struggling to overcome her own problems. If the author has made us care about that person, we will struggle with her (or him) and share in her eventual triumph as if it were our own. It gives us hope that world isn’t such a bad place after all, that the good will end well and that whatever our problems are, we aren’t helpless in the face of them. And this is what Gwendoline Courtney achieves to perfection. In addition, her writing is excellent and quietly humorous, and her characters attractively flawed and always appealing.
Have you read Gwendoline Courtney – and what did you think? I’d especially like to know if her other books are as good as the ones I’ve read!